Hunger Makes Me a Modern Girl: A Memoir

By Carrie Brownstein

From the guitarist of the pioneering band Sleater-Kinney, the ebook Kim Gordon says "everyone has been expecting" and a New York Times striking publication of 2015-- a candid, humorous, and deeply own examine creating a life--and discovering yourself--in music.

sooner than Carrie Brownstein grew to become a song icon, she was once a tender lady turning out to be up within the Pacific Northwest simply because it used to be changing into the atmosphere for one an important events in rock heritage. looking a feeling of domestic and identification, she could realize either whereas relocating from spectator to author in experiencing the facility and secret of a concert. With Sleater-Kinney, Brownstein and her bandmates rose to prominence within the burgeoning underground feminist punk-rock circulation that might outline tune and pa tradition within the Nineties. they'd be stated as “America’s top rock band” via mythical song critic Greil Marcus for his or her defiant, exuberant model of punk that resisted labels and barriers, and redefined notions of gender in rock.
starvation MAKES ME a latest woman is an intimate and revealing narrative of her get away from a turbulent kinfolk existence right into a international the place tune used to be the potential towards self-invention, neighborhood, and rescue. alongside the way in which, Brownstein chronicles the thrill and contradictions in the era’s flourishing and fiercely autonomous track culture, together with stories that sowed the seeds for the observational satire of the preferred tv sequence Portlandia years later.
With deft, lucid prose Brownstein proves herself as ambitious at the web page as at the degree. Accessibly uncooked, sincere and heartfelt, this publication captures the event of being a tender girl, a born performer and an intruder, and finally discovering one’s actual calling via labor, braveness and the intoxicating strength of rock and roll.

From the Hardcover edition.

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A. or manhattan, nonetheless capable of create from the margins, and folks the following valued group, innovation, and the retention of creative credibility. Portland turned a respite and a real homeland. in my view, in addition to in Sleater-Kinney, i've got regularly relied seriously on resetting. I enterprise out and take dangers, yet then i must go back to balance and calm. Portland has a nurturing caliber, a placidity. For larger or worse, it’s a perennial yet shyly hopeful urban; if we had a gesture it'd be a shrug. whilst I’d stopover at Portland within the ’90s, it had a seedy caliber to it.

Then we danced. at the moment flooring of the Crystal Ballroom is a smaller venue and bar known as Lola’s Room. whereas our buddy DJed with ’60s and ’70s soul and funk, New Wave and post-punk, we moved round the ground as a sort of aid, of revelation, of affection. As is so frequently the case, the evening became out to be much less concerning the song we had performed, and extra approximately who we skilled the song with. whilst round 3 a. m. the membership employees close off the sound process and grew to become at the lighting, we stayed at the ground for almost a whole 5 mins stomping our ft and clapping our fingers, nonetheless dancing.

Being at the highway, recording, doing press excursions, quite a bit of a musician’s lifestyles includes distraction and distance; it calls for a complete recalibration of what constitutes domestic and balance. discovering a accomplice who is aware the vicissitudes of commute is demanding. A nomadic lifestyles fosters inconsistencies and contradictions inside you, a vacillation among loneliness and desiring desperately to be left on my own. To a person who misses you, and whom you leave out, bridging that house among togetherness and apartness, actually and figuratively, should be brutal.

In Atlanta, after enjoying a express within which a group of topless ladies took over the level in the course of our set, we ended up at a home owned through a gregarious rockabilly dyke named Rizzo. She should have stayed at her girlfriend’s that evening simply because we permit ourselves into her apartment. within have been pit bulls, one in all which used to be in warmth, bloody towels at the kitchen flooring. I slept below a leather-based S&M-clad model hung from the ceiling within the bed room. another choice used to be to crash on the promoter’s residence or with the hole band.

Janet and that i sought after this checklist to have the teeth. Corin didn’t really suppose an analogous depth at this aspect. there has been rigidity. while Corin ultimately received there, specifically vocally, she went manner out there—but i believe like we shoved her. at the refrain of “Let’s name It Love,” she sounds mad and determined, longing and lost—we tossed her out into the ether and you may listen her making a song her long ago; the notes are wearing her, yet it’s no longer lovely. It’s the sound of somebody struggling with opposed to herself and opposed to her doubters, who in that second occurred to be in her personal band.

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